Politics: Tradition and Vision | Newt Gingrich | #301

Dr. Jordan B. Peterson and Newt Gingrich discuss the state of conservative politics, why the young generation is drawn to it now more than ever, and how across demographics, big changes are in store following the midterm elections.

Speaker Newt Gingrich is Chairman of Gingrich 360, a multimedia production and consulting company based in Arlington, Virginia. As former Speaker of the House of Representatives, Gingrich is well known as the architect of the “Contract with America” that led the Republican Party to victory in 1994, creating the first conservative majority in the House in 40 years. He was a Republican candidate for President of the United States in 2012. Gingrich is a Fox News contributor, podcast host (Newt’s World), and syndicated columnist. He is the author of 41 books, including 18 fiction and nonfiction New York Times bestsellers. His latest books include Beyond Biden: Rebuilding the America We Love and Trump and the American Future: Solving the Great Problems of Our Time.

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Dr. Peterson’s new book: The ABC of Childhood Tragedy. Available at: https://abctragedy.com/

— Chapters —

(0:00) Coming Up

(1:34) Intro

(4:25) The Contract with America

(10:26) Main emerging platforms

(15:00) The consequence of a balanced budget

(20:14) Why did the balanced budget vote fail?

(26:15) Managing a vision

(31:26) Splitting the party

(35:40) Donald Trump, changing mindsets

(45:40) Collusion on a new scale, big pictures

(50:00) Demographics push back on woke-ness

(55:35) Immigrants and Conservatism

(59:00) Sacred axioms, the new modern religion

(1:04:12) Boiling eggs by way of the freezer

(1:12:20) Cleverness has replaced wisdom

(1:14:40) The intellectual divide

(1:16:17) Prattling nonsense and living by whim

(1:24:58) Emerging visions

(1:28:46) Meaning is accrued through responsibility

(1:34:35) Rites of passage, emerging as an adult

(1:39:50) What we need to offer

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La AG de las Naciones Unidas declara que Israel debe deshacerse de sus armas nucleares — Sott.net

Traducido por el equipo de Sott.net Israel debe deshacerse de todas sus armas nucleares y poner sus instalaciones nucleares bajo la supervisión del Agencia Internacional de la Energía Atómica, declaró la Primera Comisión de la Asamblea General de las Naciones Unidas en una votación inicial de 152 a 5. Las cinco naciones que se opusieron a la resolución del viernes sobre el «riesgo de proliferación nuclear en Oriente Medio» fueron: Canadá, Israel, Micronesia, Palau y Estados Unidos. Otros 24 países se abstuvieron, entre ellos miembros de la Unión Europea. La resolución anual presentada por Egipto ante la AG de la ONU en Nueva York fue patrocinada por la Autoridad Palestina y 19 países, entre ellos Bahrein, Jordania, Marruecos y los Emiratos Árabes Unidos.

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What makes you YOU?

What makes you YOU?

Theseus’ Ship

Dear Classical Wisdom Reader,

It’s one of the oldest concepts in Western Philosophy. Heraclitus wrote about it. So did Plato…

But perhaps the most eloquent explanation of this timeless thought experiment was accomplished by the historian, biographer and essayist, Plutarch.

He did so with the help of the Greek hero Theseus and his famous ship.

The concept goes like this:

After a famous battle, the legendary Theseus has his ship moored in a harbor as a museum piece. Over the years parts of the ships, such as the wooden planks, begin to rot and need to be replaced. The question then is if all the parts of the ship are restored, at what point is the ship no longer that of Theseus… but instead becomes a new ship?

Likewise, if all the original materials are preserved and one day used to build a boat, is that then the true ship of Theseus?

To quote Plutarch directly:

“The ship wherein Theseus and the youth of Athens returned from Crete had thirty oars, and was preserved by the Athenians down even to the time of Demetrius Phalereus, for they took away the old planks as they decayed, putting in new and stronger timber in their places, insomuch that this ship became a standing example among the philosophers, for the logical question of things that grow; one side holding that the ship remained the same, and the other contending that it was not the same.”

— Plutarch, Theseus

The implications of this paradox are many and it can be seen in the fields of philosophy, law, and even engineering.

But for our intents and purposes, I’d like to stick with the philosophy of the mind and how we determine who we are…

After all, we inhabit many versions of ourselves, constantly changing, evolving, progressing. Our mindset and ideas develop over time, but even on a microscopic level we have to ask who are we – really? After all, at one point every single one of our cells has been replaced.

Share

So considering this ever constant state of change – and the fact that we are all works in progress rather than complete and static persons – I’ll present this week’s question:

Who are you? What makes you YOU?

Moreover, which you is ‘who’? The person you are today? Ten years ago? Or in the future?

And which aspect of you is ‘I’? Are you your thoughts and feelings? Your physical body? Or the culmination of your actions?

As always, you can write to me directly at anya@classicalwisdom.com or reply to this email.

Now, on to today’s mailbag, which is a bit eclectic…we have a bit of Glory, some Seneca and a hilarious Latin Mistranslation.

Enjoy!

Kind Regards,

Anya Leonard

Founder and Director

Classical Wisdom

P.S. Classical Wisdom Society Members: I’m happy to announce that we will be starting our first Members Roundtable Discussion, taking place November 10th at 5pm EST.

Joining us to help guide the conversation will be Benjamin B. Olshin, former Professor of Philosophy, the History and Philosophy of Science and Technology, and Design at the University of the Arts in Philadelphia.

We’ll be discussing Plato’s Allegory of the Cave. Check your inboxes shortly for more details!

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Monday Mailbag

On Glory:

Glory is mostly what we decide it is. Maybe the ancients considered dying in battle glorious… maybe nowadays finishing that looong TV series is. Glory is an achievement of something. Passing my exams is glorious, for me at least. Maybe for someone else, just finishing those exams without a great grade is glorious, because it’s what they wanted.

Lailah(゚ヮ゚)

Those of us who do not need to achieve glory for public recognition, it is a very personal matter. One can feel the attainment of glory through meditation, prayer, experiencing a stunning beautiful event, achieving a very tough deadline. It can be an “aha” moment. I wonder what the ancients called it and was a personal sense of “ glory” greater than a public exhibition? Gaining death on the battlefield may be heroic to some, but “Glory”?

Robin

Hello Anya. Glory involves not only outstanding deeds but the popular elevation of the doors of deeds. I think the environment we live in now is a little repelled by glory, where we think very individually and economically. We may fear that elevating others will be at the expense of our own reputation. Also, it is harder to achieve glory in work environments where you are so detached from the fruit of your labors. Some occupations like surgeons, and as you rightly mentioned first responders and soldiers, will quite possibly feel glorious in their deeds and be uplifted as such. However most of us don’t work directly in the service of a visible end, we are some cog in a very large wheel that weaves through supply chains, nations, and over the internet to a consumer or patient who we will never encounter. The best we can do is feel at peace that what we are doing is in eventual service of the good.

As functionalist as ever, Nick.

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Glory is interred with the bones of the dead as they die. Glory is also remembered only by the victors and never includes the vanquished, except when the vanquish are destroyed by the victors. Glory requires triumph. No glory in losing ever. Just ask the Army of Northern Virginia.

Glory almost always requires war and death. What the Thai did in the cave was not glory. It was heroism. There is a distinction and difference between the two. The reason it is not glorious is because his name is long forgotten.

To achieve glory, be visible and be on the winning side. Add to this a dash of guilt to the ones providing it and you have the perfect recipe.

Nobody remembers number two. To have glory, you must either win or remember the other that you defeated so as to increase the importance of your victory. Also used to cover your own sins. Glory is a powerful aphrodisiac.

What can be more glorious than dying for your country? No glory in making the other die for his, is there?

Charles F

On quoting Seneca:

How are you and hope life is treating you well. I have been thoroughly enjoying my association with Classical Wisdom and feeding my knowledge of the time immemorial.

Today, here in the United Kingdom, we witnessed the change of leadership and it was baffling and annoying when our outgoing Prime Minister had to quote Seneca but got her words muddled up. “Speaking outside No.10 before meeting King Charles to resign, Truss quoted Roman philosopher Seneca.

“It is not because things are difficult that we do not dare, but because we do not dare that they are difficult,” she said.”

As we are aware most political speeches are written by third parties, but her lack of command of the great philosopher was obvious to us keen students of the classical age.

It would be nice if our so-called leaders are students of classics and history as they try to drive the chariot of civilization.

Sorry to disturb you but it is my habit of reading your blogs and ideas that makes such mistakes obvious.

Regards,

Paul

And on a Latin mistranslation:

Hi Anya,

In the article on notorious women, Faustina the Younger is referred to as «Mater Castorum». The title should read «Castrorum» – Mother of the Camp. The erroneous version would make her «Mother of the Beavers»!. Although, when it came to sexual favours from Faustina, maybe the soldiers in the camp were «eager beavers»! Faustina is presented as a very «campy» empress!

Regards,

Denis

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LEY TRANS: crítica filosófica. FORJA 177

«Fortunata y Jacinta» es un programa de análisis filosófico que aborda algunas de las problemáticas históricas que dan forma a nuestro presente en marcha: España como sociedad política en crisis, ¿cómo, por qué y en beneficio de qué o de quiénes? Escribe, dirige, edita, produce y presenta Paloma Hernández (Fortunata y Jacinta).

Libro «Arte, propaganda y política»: https://ift.tt/1FqxDyB politica/9788418414374/12622148?gclid=Cj0KCQiAy4eNBhCaARIsAFDVtI2oa6yF63DVKEsY8BLRvQGrg0Cab8g2wknBZStQu2B5Rn4IYdq0U0EaAoh_EALw_wcB

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El epicentro de la mafia del agua: Aguas de Barcelona

Joseluís conversa con Pilar Esquinas Rodrigo, abogada experta en Derecho de Aguas. Asesora tanto a Ayuntamientos, Comunidades de Regantes, Comunidades de Usuarios en todo el ámbito del Derecho de Aguas.

Artículo*: Plural-21

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MENADEL PSICOLOGÍA Clínica y Tradicional

MENADEL PSICOLOGÍA Clínica y Tradicional

Recopilación al azar de artículos relacionados con la Psicología Clínica y Tradicional entre lo que circula por la RED y sus variadas perspectivas, por lo que no suscribimos necesariamente las opiniones aquí compartidas. No todo es lo que parece.

October 31, 2022 at 06:23PM

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As injustiças são também provações

“Majestat de Beget”, na Catalunha.

O homem tem o direito de não aceitar uma injustiça, importante ou menor, da parte dos homens, mas ele não tem o direito de não aceitá-la como uma provação da parte de Deus. Ele tem o direito — pois ele é humano — de sofrer com uma injustiça na medida em que ele não consegue colocar-se acima dela, mas ele deve fazer um esforço para consegui-lo; em nenhum caso ele tem o direito de mergulhar num abismo de amargura, pois uma atitude assim leva ao inferno. O homem não tem interesse em primeiro lugar em vencer uma injustiça; ele tem interesse em primeiro lugar em salvar sua alma e ganhar o Céu. Assim, seria um mau negócio obter justiça às custas de nossos interesses supremos, ganhar do lado do temporal e perder do lado do eterno, o que ele corre gravemente o risco de que aconteça quando a preocupação com seu justo direito deteriora seu caráter ou reforça-lhe os defeitos.

Schuon, La conscience de l’Absolu, Hozhoni, 2016, p. 66.

L’homme a le droit de ne pas accepter une injustice, importante ou mineure, de la part des hommes, mais il n’a pas le droit de ne pas l’accepter comme une épreuve de la part de Dieu. Il a le droit – car c’est humain – de souffrir d’une injustice dans la mesure où il ne parvient pas à se situer au-dessus d’elle, mais il doit faire l’effort d’y parvenir ; en aucun cas il n’a le droit de s’enfoncer dans un abîme d’amertume, car une telle attitude mène en enfer. L’homme n’a pas intérêt en premier lieu à vaincre une injustice ; il a intérêt en premier lieu à sauver son âme et à gagner le Ciel. Aussi serait-ce un mauvais marché que d’obtenir justice au prix de nos intérêts ultimes, de gagner du côté du temporel et de perdre du côté de l’éternel, ce que l’homme risque gravement quand le souci de son bon droit détériore son caractère ou en renforce les défauts.

Schuon, La conscience de l’Absolu, Hozhoni, 2016, p. 66.

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La estadounidense María Sydor dirigirá a la OFM en el Programa 2 de su XI Ciclo La Filarmónica Frente al Mar – OFM

El viernes 4 de noviembre de 2022, a las 19:00 horas, la Orquesta Filarmónica de Málaga regresará al Auditorio Edgar Neville de la Diputación de Málaga para interpretar el Programa 2 del XI Ciclo la Filarmónica Frente al Mar, incluido en la temporada 2022_23 de la formación musical.

Esta segunda cita del ciclo incluye obras de Sara Ramos, Wolfgang Amadeus Mozart y Antonin Dvorak, bajo la batuta de la joven directora estadounidense Maria Sydor y con la actuación solista del violín Kiran Roselló.

La primera parte del programa comenzará con Cuadro I, una pieza contemporánea de la compositora y catedrática de composición en el Conservatorio Superior de Sevilla

Sara Ramos, integrada en la Asociación de Compositores e Intérpretes Malagueños (ACIM). Su obra Cuadro I está inspirada en la referencia de Georges de La Tour ‘Madeleine Terff’ y será interpretada por primera vez por la OFM en este concierto.

Continuará con Concierto para violín y orquesta nº.5 en La mayor, K 219 ‘Turco’, de Wolfgang Amadeus Mozart, último de la serie violinística gestada por el compositor en 1775. La obra está fechada en Salzburgo el 20 de diciembre de ese año y recoge las experiencias de Mozart de un viaje a Múnich, siendo estrenada durante la temporada de Navidad de ese año en Salzburgo.

El estilo italiano caracteriza a las obras para violín del joven Mozart, aunque esta composición posee cierta influencia del estilo francés y de la riqueza melódica de Alemania, aglutinando los lenguajes musicales más pujantes del momento. La etiqueta genérica ‘Turco’, usada entonces para definir cualquier música de toque oriental y aires populares, otorgó al concierto su sobrenombre.

La segunda parte se dedicará íntegramente a la Tercera Sinfonía en Mi bemol mayor, Op.10 de Antonin Dvořák, siendo la primera interpretación de esta pieza de la Orquesta Filarmónica de Málaga. Fue escrita por Dvořák en 1873 y se estrenó en Praga bajo la dirección de Bedřich Smetana el 29 de marzo de 1874.

A menudo se considera erróneamente como un ‘trabajo juvenil’, pero el compositor demuestra en esta partitura no solo una impecable profesión de orquestador sino también una fuerte personalidad artística. Con solo tres movimientos, frente a los cuatro tradicionales en las sinfonías clásicas, es la más corta de todas las sinfonías de Dvořák, aunque paradójicamente incluye el movimiento sinfónico más largo del compositor.

Maria Ana Sydor nació en 1991 en Oberlin, Ohio, EE. UU. en una familia polaco-estadounidense con tradiciones musicales. María tiene una Licenciatura en Música en Dirección de Conjuntos Musicales (2014, Varsovia, Polonia) así como un doble Master en Música en Dirección Coral (2016, Varsovia, Polonia) y Dirección de Ópera y Sinfónica (2018, Katowice, Polonia). Desde la temporada 2020/2021 Sydor es la directora asistente de Mieczyslaw Karlowicz Philarmonic de Szczecin. El año pasado (en 2021) debutó en Alemania actuando en el Festival Choriner Musiksommer. Luego realizó un concierto inolvidable con solistas y coros polacos, dirigiendo el Réquiem de Mozart con la Filarmónica de Szczecin.

El joven violinista Kiran Roselló cuenta con una sólida formación en diferentes disciplinas musicales. Compagina su actividad orquestal con actuaciones de solista así como de música de cámara en festivales y salas de conciertos del panorama nacional. Finalizó el grado profesional de violín y piano obteniendo premio extraordinario en ambas especialidades y en música de cámara. Está actualmente realizando sus estudios superiores en el Real Conservatorio Superior de Música de Madrid en la cátedra de Ana María Valderrama. A lo largo de su carrera ha recibido clases de prestigiosos violinistas como Francisco Fullana, Jehi Bahk y Carol Petitdemange, entre otros.

The post La estadounidense María Sydor dirigirá a la OFM en el Programa 2 de su XI Ciclo La Filarmónica Frente al Mar appeared first on OFM.

Artículo*: Silvia Turrado

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